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By Art Tipaldi

Art Tipaldi is currently the Editor of Blues Music Magazine, which was founded in Bradenton, and has been a sponsor and advisor of the Bradenton Blues Festival since it began. He’s been writing about the Blues nationally since 1993, and in 2002, published a book called Children of the Blues, which profiles 49 current blues musicians. As a high school English teacher, Art pioneered a course that combined African-American literature and the blues and taught it for 15 years. Though retired, he still continues to conduct classroom workshops for students. One such workshop has been for the Bradenton Blues Festival Blues in Schools program.

Click here for full 2021 Bradenton Blues Festival Lineup

As I travel to festivals around the country and world, I can honestly say that what began with modest expectations in 2012, the Bradenton Blues Festival has skyrocketed into one of the premier Blues Festivals in the U.S. From its birth, the Bradenton Blues Festival Weekend has been committed to celebrating America’s unique art form, the Blues. So, it makes perfect sense that the Bradenton Blues Festival would honor Black History Month with the release of its 10th Anniversary line-up.

Each year, the Festival presents a diverse line-up of musicians from older, established artists to younger ones carrying the torch into the new millennium. And this Festival is always looking for ways to expand.

This year’s line-up is a highlight reel of outstanding talent. Friday kicks off with Cece Teneal and Soul Kamotion followed by soul legend and Bradenton favorite Johnny Rawls and acoustic award-winner Doug MacLeod, who will also teach in the Bradenton Blues Festival’s Blues In Schools program.

Saturday continues the party with vocalist Terrie Odabi opening the day followed by Jimmy Carpenter, James Armstrong, and Canadian multi-award winner, Dawn Tyler Watson. The evening’s fireworks continue with the explosive guitar stylings of Bernard Allison followed by 87-year-young Bobby Rush and his one-of-a-kind Revue.

For those unfamiliar with him, Bobby Rush is THE elder statesman of the Blues. Rush, who will celebrate his 88th birthday in Bradenton, started recording almost 70 years ago. From the hundreds and hundreds of recordings he’s made, Bobby was finally recognized by the recording industry with a 2017 Grammy Award and since 2013, five recent nominations including his current 2019 and 2020 releases. And in 2021, Bobby was just nominated with a Blues Music Award for Album of the Year. Proof that one only gets better with age!

Bobby Rush will perform at the 2021 Bradenton Blues Festival. © photo by Bill Steber

Case in point, in February 2020 before the pandemic, I was lucky enough to get to see the Tribute to B.B. King in Port Chester, NY. Though the capacity crowd came to hear Buddy Guy, Ann Wilson, Robert Cray, Warren Haynes, Derek Trucks, and Susan Tedeschi, the more than 1,500 left with overwhelming appreciation for the night’s oldest performer, Bobby Rush. The very light smattering of applause when Rush was introduced told me that few in the capacity crowd were aware of him. Rush performed his own “Chicken Heads” and his hilariously bawdy “Garbage Man,” on which he rapped the tale and accompanied himself on harmonica. That smattering applause turned into a standing ovation.

That’s Bobby Rush, a groove-slinging musician who traverses musical styles with a broad, contagious smile. Wherever he’s performed around the world, the reaction is the same. In 1999, I saw him entertain at a Blues Foundation Hall of Fame event in the Kennedy Center in D.C. Though unsure of his Chitlin’ Circuit-styled show, by his finale, the audience was patting his shoulders, shaking his hands, and hugging this very inclusive artist.

Years ago, Bobby told me, “I think people want to be entertained and within a few minutes, people are gonna say that Bobby Rush is about entertainment. You can be taught to play a guitar, you can be taught to blow a harp, but you can’t be taught to be an entertainer, you’ve got to be born to do what I do. People like Elvis Presley, Ray Charles, and B.B. King were all born entertainers. There’s a whole lot of musicians, there’s only a few entertainers.”

From an early age, Bobby knew that he was meant to lead. “I wanted to be the boss. At that time a sideman was getting $13, the bandleader got $21. That was an incentive. It gave you the clout to deal with club owners in a management situation. I probably was the worst player, but I owned all the instruments, I owned a station wagon, and I had the good credit.”

Throughout the decades, he continues to entertain his legions of fans old and new with his showmanship. Bobby is a veteran performer who made his name by traveling the Chitlin’ Circuit, the assortment of Black clubs and theaters around the nation, in its many venues in every place from Chicago, Mississippi, Arkansas, Louisiana, Florida, and Memphis.

Until the new millennium, much of his entertaining has been centered on performing almost exclusively on the Chitlin’ Circuit in haunts like the Jitter Bugs, Nappies, the Havana Club, Club Paradise, or the Special Occasion Lounge. One such club was The Palms of Bradenton, on East Street near the tracks. Bobby played at The Palms which was THE storied venue in Bradenton from the ‘50s to the late ‘70s, hosting Black artists like James Brown, B.B. King, Etta James, the Temptations, the Supremes, Smokey Robinson, and Stevie Wonder.

Bobby still continues to play those essential venues whenever he can. Bobby continues, “I don’t want to cross out the ghetto, the Chitlin’ Circuit, because those are the roots and foundation. That’s where I come from. I praise God because he let me be big enough so I can help these little juke joints that gave all of us the shot we needed. To pay them back, I still try and play more of them. These were the people who made all of us. I’ve got to keep them alive and in business.”

Though he still continues to be a major force on the Chitlin’ Circuit, since 2000, Bobby has also brought his show into primarily mainstream White clubs and festivals with great success. Making the music color blind is the message behind the man. “I just want people to throw this Black and White issue away. Let’s make good music that’s for everybody because the music don’t have no color.”

Yet Bobby also remembers a time when the music had color. Whether it was no rooms at the inn or no gas for his bus or no food at roadside restaurants or even being told to perform behind a curtain so a tavern audience wouldn’t see his face, he learned early about the Jim Crow problems that faced a Black man playing clubs in the South.

But those experiences never swayed Bobby from reaching out to his community or fans. From his Jackson, Mississippi home, he has hosted a jail ministry, fed disadvantaged children, and been involved with local church efforts to offer aid during Hurricane Katrina and other recent disasters. Whenever there is a need, local government’s first call is to Bobby Rush.

Thus, the man who holds up gigantic panties and coyly asks, “Has anybody seen my woman?” also regularly attends a bible study class. The man who crows, “I ain’t hen pecked, just pecked by the right hen,” runs a prison ministry and uses his tour bus to transport rural African-American voters in Jackson, Mississippi, to the polls every November. “I’m pretty tied in with groups helpin’ out black kids who have never been voting. We’re about problem solving in the community.”

His efforts have not gone unnoticed. In addition to his numerous civic awards, Rush was awarded the Blues Foundation’s first ever B.B. King Humanitarian Award in 1998 for his unselfish community service, service that has never stopped. In 2003, he was featured in Martin Scorsese’s Year of the Blues film The Road To Memphis on PBS. Since then, he was inducted into the Blues Hall of Fame in 2006, has been honored with a Mississippi Trail Marker in 2008, featured in the film, I Am The Blues in 2017, and recently held his own playing himself in Eddie Murphy’s Rudy Ray Moore biopic, Dolemite Is My Name.

Throughout his life, Bobby always says that at his core he is a Black man singing the Blues. And that he’s appreciative of Blues fans around the world who’ve accepted what he does. “If it wasn’t for the White Blues lovers and the Blues society people, I don’t know what the Blues would be today. In my biblical readings, I’ve learned that you have to remember history in order to know where you’re going.”

That history Bobby Rush understands is the unique power of the Blues. Because the Blues is uniquely American, countries around the world crave to hear this African-American art form. So much so that Bobby has toured the world. In 2007 he was the first Blues artist to perform in China, which bestowed the title, “International Dean of the Blues” on him. After performing at China’s Great Wall, he was named its Friendship Ambassador.

Just what makes the Blues so unique to America? Many Blues scholars point to Middle Passage as the Blues’ seminal birthplace. Once here and sold, Africans used the music and song in their memories to comfort. The Blues in America rose from the harsh, unrelenting conditions Africans found themselves in as slaves.

Before Africans were taken from their land, each country and region produced a rich musical and oral tradition. Music was a participatory activity celebrating every tribe or family’s events. The African griot tradition is a major part of the African traditions and African-American Blues. Griots were primarily the musical storytellers designed to be the oral carriers of the culture of each village. As such, they were the historians and entertainers of each village. The importance of oral expression within the African-American culture traces back to griots.

While working as slaves, Africans found they had two places where they could use these musical traditions freely, the fields where they worked and the churches where they prayed. The field hollers and work songs they invented were designed to lighten the load of the task. They were also a means of telling stories, passing along news, and releasing frustrations.

After the slaves were freed, life was still hard in the South. During this time of Reconstruction, the vast majority of Blacks lived in the South, where they faced increasing social, political, economic oppression, and racial discrimination.

In response to these conditions, the early Blues gave voice to Black aspirations and experiences. Using the eloquence of oral expression, Blues musicians were the informal chroniclers of an African-American history that was never written in American history books. Whether a specific Blues spoke strictly in personal terms or covered larger social issues, the music had an immediate relationship to Black life.

It was early in the 20th century that W.C. Handy, a classically trained musician, published a song called “The Memphis Blues” in 1912 and later “The St. Louis Blues” in 1914 that the various sources became a standardized form that could be identified as “the Blues.” So whenever a singer or musician sang in that three line, 12 bar, I-IV-V chord progression, audiences could say, “That’s the Blues.” Once identified, record labels like Vocalion, Columbia, Okeh, Paramount, and others could market music called “the Blues” to the African-American population.

The African-American playwright August Wilson defines the Blues in these terms. “The Blues are important because they contain the cultural responses of Blacks in America to the situation they find themselves in. You get the ideas and attitudes of the people as part of the oral tradition. The music provides you an emotional reference for the information. You sing because that’s a way of understanding life.”

B.B. King offers a similar definition. “Blues is life. It’s about emotion and passion; it covers all the basic feelings, pain, happiness, fear, courage, desire, and confusion told in simple stories. We Blues singers tell stories about things we like, things we dislike, things we wish, and things we wish would not be.”

Today, Bobby Rush embodies the essence of the Blues, and the Bradenton Blues Festival Weekend is proud to share this Blues Ambassador with its legions of fans.

Behind the Pages: Old Manatee A to Z

This Good News Story written by Jamey Hitchcock is a Realize Bradenton production funded by the Knight Donor Advised Fund at the Manatee Community Foundation.

A new children’s book, Old Manatee A to Z, written by Ryan G. Van Cleave and produced by Realize Bradenton, focuses on the City of Bradenton and touches on the people, plants, landmarks, and animals of the area as well as business and industry.

“It is a beautifully illustrated history book that can be enjoyed by children and adults,” said Jodi Carroll, special projects manager at Realize Bradenton. “It provides a broad historical perspective of the place where the City of Bradenton was founded. When children and adults learn about the history of a place, it creates a foundation of knowledge to understand more clearly what the city has become today.”

The project was a collaboration of local historians and experts including Reflections of Manatee, the Manatee Village Historical Park, Manatee County Historical Records Library, Manatee County Central Library, and local naturalist Karen Willey.

Old Manatee A to Z is an entire educational resource collection which includes a children’s book, coloring book, 4th grade curriculum/lesson plan, and read aloud video about the history, people, plants, landmarks, and animals of the area where the City of Bradenton was founded. Manatee County Public Schools have received 6,000 copies and another 1,000 have been distributed through Soar in 4.

Ryan G. Van Cleave is the author of the book. He is a local children’s literature author and faculty member at Ringling College of Art and Design. Having transitioned into writing children’s literature about five years ago, he was enthused by the project.

The Riverwalk East expansion will soon provide access to Old Manatee, the area where Bradenton was founded.

“If you want to really change the lives of people with your writing, it’s young people who are the ideal audience,” he said. “They’re incredibly open and honest. It only takes me hearing a kid say something clever or seeing one do something curious and I’m already thinking of stories.”

Van Cleave’s task was to transform the information provided by the local historians and experts into content that was age appropriate yet still reflected the sometimes complex subject matter. “Because of the nature of this project, I had a lot of input at various early points from all of our stakeholders,” he said. “But since this book was all about history, having expert help feeding me information made my job easier. It’s not always the case when working with a committee.” The author also understood the book was created not just as a history lesson, but to spark the community’s interest in the City of Bradenton.

The book was illustrated by Don Brandes, a local artist and illustrator who is a member of the faculty at Ringling College of Art and Design. Don’s work is featured on several of the Public Art Postcards along the Riverwalk in downtown Bradenton.

“I could not have done all of this research on my own. It would have taken twice as long or more,” Brandes said. “With that groundwork, I found more information which allowed me to accurately depict the important details of the subject matter. I hope that a sense of pride in the rich history of this area is fostered by the variety of subjects in the book.”

Early on in the development of the book, Realize Bradenton held focus groups with children ages 5-10. Referred to as the book scientists, the children were asked a variety of questions and gave valuable feedback which helped to shape the final content of the book. Two of the book scientists were Ashley Ciferno’s sons, Julian and Emilano.

“My kids and I got to review early drafts of the book and provide input on the illustrations and stories,” she said. “It was such a fun experience and really special for them to be involved in the editing of a real book. I was simultaneously working on another history project with Realize Bradenton at the time, so it was really neat to see the artist’s interpretations of the stories.”

Ciferno also understood the importance and long-term potential of the book project. “There aren’t many, if any, resources for kids about local history,” she said. “This will help people to feel connected to the area which will lead to a sense of pride and belonging. That’s community. Feeling connected and proud leads people to better their community and take care of each other. It sounds a bit dramatic, but really, it’s just little things like this book that build community.”

“Imagine having projects like this all the time!” she added. “People get to be part of a project, they feel important, learn about their history and community and get to meet new people. I’d love to
see this happen more.”

Old Manatee A to Z book and coloring book are available for purchase online at or at ArtCenter Manatee’s LiveArtfully Boutique located at 209 9th St West Bradenton, FL 34205.  

A COVID-19 Twist on 13th Street West

This Good News Story written by Jamey Hitchcock is a Realize Bradenton production funded by the Knight Donor Advised Fund at the Manatee Community Foundation.

It’s all bricks-and-mortar store fronts as one takes a stroll through downtown Bradenton. People gravitate toward Old Main Street, which is lined with bars and restaurants, new and old alike. Lights are strung tree-to-tree as if for the holidays, adding to the homier vibe that emanates in the area. Sidewalks are lined in blue and tan glittered sequences, adding an aquatic aesthetic to this waterfront locale. As the sun drops, music can be heard from bar to bar and laughter echoes from the establishments.

“Have you been to 13th Street West in downtown Bradenton?” Johnette Isham, executive director of Realize Bradenton, asked me a few months ago.

It’s fair to say, with such attention on Old Main Street many locals might overlook some of the hidden gems just a stone’s throw away.

Isham was eager to shine a spotlight on the various businesses a few streets down from historic Old Main Street. It’s only a short walk to chance upon a demographic of civic-minded small business owners wanting to make a difference.

“What the community wants is a healthy, engaging, connecting area for all people,” Isham said.

Take one of the newer, and fast growing- business, Kava Social Club, a Kava bar and social hangout.

Kava Bar and Social Club | Ryan Bodie

Owner’s Ryan Bodie and his wife Sara McKenzie began their journey on 13th Street West four months ago and both are confident in its promise.

“Bradenton has been up and coming for so long,” he said. “There are so many great offerings happening here, so many great people and businesses. We found ourselves going to St. Pete and Tampa all of the time to hang out, but then we saw there was a need here in Bradenton. We want to meet the need with bringing Kava to downtown Bradenton.”

That was a challenge in itself.

“We had to educate the community about Kava, after learning many people didn’t know what it was,” Bodie said about Kava, a plant extract that makes one feel calm and relaxed.

Six months after their journey began, they traveled to the East Coast of Florida where the first Kava bar originated in the United States.

“I met a guy whose family has a village in Tonga and we carry his Kava now,” Bodie said. “We asked him to teach us how to make Kava the way they do in the village — authentically. We are always trying to be students and to serve the best products we can. We want to source it from the cleanest and purest places we can.”

Which brings us to why Bodie and Sara, wanted to begin their new business here.

“We feel 13th Street West is very health conscious, even being a block away from the bars on Main Street,” he said. “We are a sober bar and we want the look and feel of a bar, but without the alcohol. We want to have a place where people can safely go when they don’t want to drink anymore or are recovering.”

“This area seems like a good place to be with a lot of momentum and a lot of good changes on 13th Street with Happy Soul, Sugar Cubed and Daily Dose,” he added, naming some other nearby businesses. (Note that the Daily Dose on 13th Street West was recently replaced by High Tide Nutrition- a health foods and supplements business).

The Kava Social Club took on the challenge of opening up during COVID-19 and saw it was worth it despite the challenges.

“It was very nerve-wracking, but also a blessing in disguise. It made us be very intentional with everything that we did,” he said.

Even before the onset of COVID-19, these small business owners on 13th Street West have been a support system for each other which means more now than ever. It’s been a period of reflection, renovations and recharging.

With Bodie’s business being newer, he has felt the support of 13th Street West. He has connected with the other small business owners to grow here and share good ideas through a committee they’re forming.

“The committee will be good for marketing and advertising to let people know, hey, there’s another big street in downtown Bradenton!” he said.

Bri Dine, the 19-year-old entrepreneur who originally established the Daily Dose Juice Garden on 13th Street West, was one of the original voices to express the idea of this committee.

Previous location of Daily Dose Juice Garden. Pictured: Johnette Isham and Bri Dine | Jamey Hitchcock

Dine began more of an online presence and revamped her menu and focus on what her clients wanted most. It was a time for her to reflect on how all of 13th Street West’s businesses can stick together to stay open.

“Forming a Bradenton Development Committee, where both community and small business owners can meet and strategize, could change the game in development upkeep and also provide more ways for the community to stay in touch with small businesses,” she said. “It could be a separate organization, outside of Realize Bradenton, which already does so much to help the businesses downtown.”

More business owners began to express interest in the committee, including Samantha Keenan, Director of Operations and CFO of Brand Story Experts (BSE) — a culture development marketing firm that’s been on 13th Street West since October 2016.

“We actually began 11 years ago with a passion for telling brand stories and a dream to build an agency full of energy, passion, and to be the best when it comes to brand storytelling,” she said.

Since then, she and her husband, Kelly Keenan, President of BSE, have seen the development of their business and all of 13th Street West’s small businesses that have come together as a family in the last few years.

In fact, Keenan regularly orders from those neighboring businesses to support them during this difficult time. Her business also gives back to community in many ways including raising money and matching donations for their neighboring businesses when in need.

“We are so thankful and excited about the life that our block now has living on it,” she said. “Being one of the first to renovate and open on 13th Street West, we have enjoyed watching the block come back to life after being closed for safety reasons during COVID-19.”

Keenan, who has expressed interest in the formation of the new committee of 13th Street West’s small businesses, had an idea: Include the Village of the Arts.

“A committee with actionable items to bridge Village of the Arts and downtown Bradenton together could bring synergy amongst the area,” she said.

Bri Dine’s new business location could be part of that bridge. 

Still active with the 13th Street West community, Dine has a new business in the Village of the Arts: Good Fortune Juicery & Vegan Kitchen, joining forces with Adobe Graffiti Lounge Kava Bar to cultivate that relationship between the Village of the Arts and 13th Street West.

“Through these challenging times, I’ve had a lot of time to think about creating the best future for myself and the Daily Dose and ultimately a change of location was deemed necessary for the survival of my business,” Dine said. “Working collaboratively with Adobe will allow us to achieve more together. I’m so stoked about this change even though it’s bittersweet.”

At Château 13, Jenn Sayko has been general manager for a little more than two years and wanting to also see synergy between downtown and the Village of the Arts, and she has expressed some ideas.

“Safe pathways for foot traffic on well-lit sidewalks and roads, as well as safe, well-marked parking areas or spaces,” she said. “Everyone parks at the new garage on Third Avenue. So, start with a drink and appetizer on Old Main Street, stop by Château 13 for a glass of wine and visit the other businesses while strolling to the Village of the Arts and back.”

Village of the Arts Art storefront of Art gallery, Arte Coyoacano, operated by Alfredo Garcia | Jamey Hitchcock

“I believe whole-heartedly in word of mouth,” Sayko continued. “The more we talk about businesses we like and the people behind them, the more we advertise their business.  One of the main ways I’ve done this is by recommending to guests as they’re leaving that they take a stroll up and down 13th to see what local businesses are on our street before getting back in the car to drive home.”

New outdoor furniture along 13th Street West | Photo by Jamey Hitchcock

Another proponent of building that synergy is Wade Hamilton, manager at Connect Bradenton, which provides meeting and office space for entrepreneur and business needs. He’s optimistic 13th Street West is changing the identity of downtown Bradenton.

“You can enjoy a vegan burger and grab sweets at the local pastry lab, Sugar Cubed, or have an affordable date night at Chateau 13,” he said. “This is becoming an area people have longed for — one that’s livable, walkable, engaging and now has a connection to the Village of the Arts area.”

Ryan Bodie agreed.

“For those that are earth minded, body and soul minded, that’s important to people, and we are here, building this place people can come to,” he said.

COVID-19 may have forced some changes in the downtown area, but there is still a lot of heart and growth on 13th Street West.

Among those businesses that have felt the effects of COVID-19 are Sugar Cubed and Happy Soul, and the owners have shifted gears to create safe, accessible environments for their patrons.

Valencia Mitchell, owner of Sugar Cubed, is keeping the faith. The support of local patrons and local businesspeople have been a boost.

“I hope the flow and momentum keeps going like it is now,” Mitchell said. “Not just for black owned businesses, but for all small businesses. Everyone is looking to support the smaller businesses instead of just large corporations.”  

Mitchell, shares a café space on 13th Street West with Paula Tromp, the owner of Happy Soul, and her business has benefited from community support.

“We’ve got to keep working together. We have to,” Tromp said. “It’s the only way we are going to make it.”

“Paula’s customers come in and even though they are looking for Vegan items, people get the chance to see both products in the café,” Mitchell said. “We have had more of an online presence as well to stay connected to the community during this time.”

COVID-19 has forced new and innovative ways to conduct business.

“The pandemic has not only impacted the way we live but could change the future of area businesses as well,” Wade Hamilton said.

He cited the example of Pier 22, which began providing loaves of bread for those not wanting to enter a grocery store during the pandemic. Such innovations are now becoming a staple and people can enjoy dinner and leave with groceries at the same time.

Connect Bradenton will also continue to utilize its alternate workspace ideas created during the COVID-19 social distancing guidelines.

“We have phone rooms that are now used as zoom rooms. A lot of attorneys can now do virtual hearings that don’t have to be conducted at home,” Hamilton said.

These innovations created during this difficult time of COVID-19 can now be utilized for the continued success of their businesses.

While this can work for Connect Bradenton, there are still attributes of 13th Street West that steer people away from venturing through the small businesses. Empty storefronts have been a major deterrent.

Hamilton has some ideas to improve the foot traffic in the area.

“It’s going to take collaborative spaces, collaborative attitudes, and collaborative investments for 13th Street West to reach its full potential,” he said. “We go back to the property owners, collaborating with the small business, to create opportunities to fill those empty storefronts.”

“Success from the small area can come from pop-up events in the empty businesses, where local small businesses and entrepreneurs can utilize the space to sell their product and gain traction and prove the concept of their product,” Hamilton continued. “This could be the future of 13th Street West and its survival.”

Collaboration with the City of Bradenton is also part of the equation and was demonstrated recently by the investment in tables and chairs for 13th Street West to increase outdoor dining.

Paula Tromp and Valencia Mitchell pose in front of their store on 13th Street West with the new outside dining furniture | Jamey Hitchcock

That survival and collaboration is dependent on the connectivity of these small businesses in the area and working together with neighboring areas during this difficult time.

Ryan Bodie described how he has worked together with the Adobe Graffiti Lounge in the Village of the Arts just a few blocks over.

“We were packed one night, and Sara and I took a few of our customers, piled them into our cars, and drove over to Adobe where an event was going on,” he said. “Some of them didn’t know Adobe existed, and we are big proponents on sharing and being a family here. At the end of the night, the owner of Adobe brought a few of his people over to the Kava Social Club.”

Kava Bar Social Club includes life-size jenga! | Ryan Bodie

Collaboration has been easier with restrictions being lifted and businesses opening up again, but even with that downtown Bradenton has to be prepared for what else might impact small businesses.

“We don’t have the time to play around anymore. It’s now or never,” Bri Dine said. “If downtown Bradenton shuts down again, we have to all be ready to take action. We can all be a part of the change instead of just following it.”

Ryan Bodie agreed.

“We are all in 100%, because we believe in it,” he said.


Local businesses

-Bri Dine-Stisser, Owner

Good Fortune Juicery & Vegan Kitchen

Village of the Arts

-Wade Hamilton, Manager

Connect Bradenton

1201 6th Ave W #100, Bradenton, FL 34205

-Johnette Isham, Executive Director and Founder

Realize Bradenton

1015 Manatee Ave W, Bradenton, FL 34205

-Paula Tromp, Owner

Happy Soul, LLC

531 13th St W, Bradenton, FL 34205

-Valencia Mitchell, Owner

Sugar Cubed

531 13th St W, Bradenton, FL 34205

-Ryan Bodie, Owner

Kava Social Club

540 13th St W, Bradenton, FL 34205

-Samantha Keenan, Director of Operations, CFO at Brand Story Experts

Brand Story Experts

519 13th St W, Bradenton, FL 34205

-Andrew Charles, Owner

Adobe Graffiti Lounge

1302 13th Ave W, Bradenton, FL 34205

-Jenn Sayko, General Manager

Château 13 Restaurant & Wine Bar
535 13th Street West, Bradenton, FL 34205

2020-2021 Realize Bradenton Board Officers Elected

The Realize Bradenton Board is comprised of community leaders who volunteer their time and talents to guide our work to build a vibrant, healthy, inclusive, and fun downtown Bradenton.

Over the past 10 years, the Board’s leadership has helped realize the promise that “Downtown is Everyone’s Neighborhood.” By bringing people together for shared experiences, Realize Bradenton offers initiatives in Business Development, Community Placemaking, Wellness and Nutrition, and Development of Young Leaders. For more information, please visit

We are pleased to share our new officers as of June 15, 2020.

Carrie Price, the new Realize Bradenton Chair, joined the Board in 2018 and recently served as Vice Chair. Carrie and her husband Preston Whaley own Yoga Arts in the Village of the Arts. She is also past Vice President of the Artists Guild of Manatee. Carrie is a graduate of Savannah College of Art and Design.

Carrie commented, “I am very pleased and honored to have been selected to Chair the Board of Realize Bradenton. I have been an admirer and supporter of Realize Bradenton since its founding, 10 years ago. Many of their initiatives have had a significant positive impact on my life, as a downtown resident and business owner. Even in these challenging times I am excited to be part of manifesting Realize Bradenton’s inclusive vision of a downtown in which diverse community, local businesses, and the arts thrive.” 

Kay Wight, the new Board Vice Chair, joined the Board in 2015, and has been one of Realize Bradenton’s biggest cheerleaders. Kay has made outstanding contributions to society as a professional and volunteer in the fields of healthcare, cancer research, women’s rights, the arts, education, and philanthropy. Her career spanned 23 years at CBS News and CBS Sports. Kay was Director of Public Responsibility for American Express Travel Related Services Company and Vice President of MacAndrews & Forbes/Revlon. We are grateful to have her leadership skills as an officer of our Board of Directors.

Realize Bradenton is thankful to Ann Breitinger, who was elected to our Board of Directors in 2015 and served as Chair from 2017-2020. Ann’s love for Bradenton started when she moved to join Blalock Walters, P.A. She has been a leader from the beginning and was the perfect choice as our Board Chair. She guided Realize Bradenton’s ambitious agenda, with a focus on engaging young professionals in shaping the downtown’s future. As Ann continues her Board service for Realize Bradenton, her experience will be invaluable. 

We extend our gratitude to Melodie Rich and Kim Dalglish, for their service to the Board over the past six years. Melodie, as the Board Treasurer and Kim as a valued member of our Governance and Leadership Committee, have fulfilled their terms, and we are incredibly grateful for their leadership. Their contributions to Realize Bradenton’s many successes over the past six years have been invaluable.  

Rotating off the board does not mean they are leaving! Both women have committed to staying involved with Realize Bradenton and continuing the work they have been a part of for so long. Thank you, Melodie and Kim!

Walkbradenton.Com Encourages On-Foot Exploration Of Downtown Bradenton To Build Local Business

BRADENTON, Fla. — Plan to spend more time in downtown Bradenton during your next visit. Realize Bradenton released, an interactive website that highlights the city’s unique places to eat, shop, see, stay, and play on your smartphone, tablet, or computer. The website is now live and available to the public at

The website, part of Realize Bradenton’s place-making strategy, is a business development initiative to attract residents, visitors, and businesses to downtown Bradenton to build economic development and enhance quality of life.

“Many people may not realize that we have over 145 local businesses and restaurants, 58 pieces of public art, and dozens of local historical sites that make downtown Bradenton a distinctive destination,” says Jodi Carroll, Special Projects Manager for Realize Bradenton. “We identified these locations on an easy-to-use, map-based website so anyone can find their current location and explore the city from their home, hotel, or while they’re eating an appetizer at a downtown restaurant,” Carroll continued. is a user-centric website designed to highlight the assets of downtown Bradenton, and encourage on-foot exploration of its many neighborhoods: Old Main Street, Village of the Arts, Downtown Bradenton, and the Riverwalk. In addition to neighborhoods, categories allow users to further customize their experience: places to eat and drink, public art, shops and galleries, historical landmarks, hotels, public parks, parking, health tips, and more. Using GPS technology built into nearly every smartphone and tablet, the user’s location is identified as a smiling emoji icon on the map. Every point of interest, which is marked with a unique icon, has a ‘location card’ that appears once the icon is tapped. These ‘location cards’ feature detailed descriptions, photographs, videos, and links.

Encouraging people to walk is more than a marketing pitch. Studies reinforce links between pedestrian-friendly cities and higher property values, increased consumer sales, healthier residents, stronger social connections, and civic pride. Three planning studies in the City of Bradenton emphasize the importance of connecting strategic areas, including the Riverwalk, Old Main Street, Village of the Arts, and LECOM Park. Realize Bradenton, a nonprofit organization, was created from one of the studies.

“You are getting an authentic downtown experience through, something you won’t find using search engines or online maps,” said Johnette Isham, Executive Director of Realize Bradenton. “The website supports the local economy by connecting people to businesses, restaurants, and cultural attractions that are otherwise missed by single-destination patrons who park and then leave. We are making it easy to explore Bradenton and to explore all that downtown has to offer,” Isham explained.

Over the past year, Realize Bradenton collaborated with hundreds of local businesses, historians, health professionals, volunteers, and other organizations to make the website useful and genuine to the Bradenton area. Businesses and organizations can update information on their ‘location card,’ including menus and flyers, videos, links, and even coupons and discounts.

In keeping with Realize Bradenton’s dedication to community health and wellness, encourages walking with purpose. The website identifies the user based on their current location (currently in beta testing), and provides directions, estimated walking time, and total distance in miles to their desired destination. General wellness tips are also found throughout the website, in collaboration with Florida Department of Health, Manatee County.

“We’re encouraging everyone to visit to experience downtown Bradenton from a new perspective,” Isham said. “This is ‘phase one’ of the website, and we will have additional content added over the summer, including videos of artists discussing the creation of public art, additional historic images, and residents talking about Bradenton’s past,” Isham continued.

To introduce to the public, Realize Bradenton produced an engaging video about the project on A campaign consisting of monthly blog posts on, social media, and Google AdWords is designed to reach visitors throughout the US, as well as prospective relocating businesses, and young professionals considering the Bradenton area. was developed by Realize Bradenton, in collaboration with the Bradenton Area Convention and Visitors Bureau; Bradenton Downtown Development Authority; Mosaic; Florida Department of Health, Manatee County; and Manatee County Historical Records Library.

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About Realize Bradenton
Realize Bradenton is a nonprofit organization that brings people together to create a vibrant and prosperous Bradenton area. For more information visit:

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